I was born in County Antrim, Northern Ireland and my creative and artistic journey began when I was 14 after I saw the newly-released Barbie of Swan Lake, and this movie would change everything. The movie's use of Tchaikovsky's score and ballet performed by dancers of the New York City Ballet computer animated through motion capture cast a spell on me, which has never lifted and thus, a new chapter began. From then on, I wanted to know ballet and classical music. I started taking ballet classes and I studied Music and Dance for my GCSEs and A Levels at school. As time went on, I became interested in learning about the ballets in the repertoire and the more I started to learn, the more inquisitive I became.

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In 2014, I discovered a Masters course that would really resonate with me and inspire me - MA Ballet Studies at the University of Roehampton in London. I enrolled in this course in 2014 and what would follow would be some of the most inspiring eighteen months of my life. This course gave me the chance to study and get a degree in my passion. I went into this course excited, and I had every reason to be because it did exactly what I had hoped it would do. It taught me more about ballet and ballet history; it deepened my passion and ambition to become a ballet historian. It inspired me to pursue that goal with further, independent studying and research, which I poured into a new project that I started after I graduated in 2016.

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In the months following my graduation, I created a ballet history website called The Marius Petipa Society. My mission behind this project is to give Petipa a platform that promotes his legacy and what he did for the art form of ballet. History is vital because there is so much it teaches us, not just about the past, but the art form today and there is much information that the history of ballet offers that is important and relevant to ballet today. Since starting this project, it has been expanding to focus on ballet history in general, and it has provided me with many opportunities. I have travelled to various places, including Milan, Saint Petersburg, Paris, Berlin, Rome, Moscow, London, and The Netherlands to participate in conferences, and to attend events and ballet performances. I have also connected with some important figures in the ballet field, including world-renowned choreographer Alexei Ratmansky, and historians Doug Fullington and Nadine Meisner, as well as many ballet artists. Among the most inspirational of artists I have met are ballet dancers from Ukraine, who have since become very dear friends.

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I do the work I do because I know that ballet history is a very important matter and it is very relevant to the art form today. One lesson I have learned in my years as a ballet historian is that the more we know about the history of ballet, the more we understand the art form itself. This is what I love to do and I'm really proud of everything I've achieved so far. I love that the work I do has touched many people and stirred their interest, and my mission is to share what that huge treasure chest of ballet history holds with the world and to contribute to the art form through an educational perspective the teaching of what ballet is, the meanings of all those ballets that we all know and love and what those before us who made this art form what it is intended to bring to the stage.